Matisse paintings began as still-lives and landscapes in the traditional Flemish style with reasonable proficiency. Henri-Emile-Benoit Matisse was a French artist, draughtsman, printmaker and sculptor, primarily known as a painter.
The first contemporary art experimentations by Henri earned for him a rebellious reputation. They also had the aura of gloom because these early Matisse paintings were done using a dark palette.
With the introduction of Impressionism between 1897 and 1898, Matisse paintings underwent a complete change in style. The Dinner Table was considered the first masterpiece among the Matisse paintings. This painting was completed in 1897 and was considered radical given its impressionist aspects during that period.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
The early Marc Chagall paintings showed fabulous and metaphoric images on everyday life as exemplified in Birth, The Deal and A Holy Family. Marc Zakharovich Chagall was a Russian-French artist referred to as the quintessential Jewish artist of the 20th century.
There was a demonstration of a perfect feeling for colors and a mastery of the Fauvism methods in Marc Chagall paintings. They also exemplified a mastery of new trends and tendencies. Among these new trends are Cubism, Futurism and Orphism. They were however reshaped in the Marc way. This reshaping is clearly shown in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar were some of the Marc Chagall paintings exhibited during this period in Marc's life.
War reflected human grief and hardships of war. Red Jew and Feast of the Tabernacles were strongly religious Marc Chagall paintings resulting from intensification of the Jewish persecution. The last 4 Marc Chagall paintings were lyrical works filled with love towards a woman named Bella.
The first contemporary art experimentations by Henri earned for him a rebellious reputation. They also had the aura of gloom because these early Matisse paintings were done using a dark palette.
With the introduction of Impressionism between 1897 and 1898, Matisse paintings underwent a complete change in style. The Dinner Table was considered the first masterpiece among the Matisse paintings. This painting was completed in 1897 and was considered radical given its impressionist aspects during that period.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
The early Marc Chagall paintings showed fabulous and metaphoric images on everyday life as exemplified in Birth, The Deal and A Holy Family. Marc Zakharovich Chagall was a Russian-French artist referred to as the quintessential Jewish artist of the 20th century.
There was a demonstration of a perfect feeling for colors and a mastery of the Fauvism methods in Marc Chagall paintings. They also exemplified a mastery of new trends and tendencies. Among these new trends are Cubism, Futurism and Orphism. They were however reshaped in the Marc way. This reshaping is clearly shown in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar were some of the Marc Chagall paintings exhibited during this period in Marc's life.
War reflected human grief and hardships of war. Red Jew and Feast of the Tabernacles were strongly religious Marc Chagall paintings resulting from intensification of the Jewish persecution. The last 4 Marc Chagall paintings were lyrical works filled with love towards a woman named Bella.
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