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Thứ Ba, 13 tháng 5, 2014

Edward Hopper Paintings And Paul Klee Paintings

By Darren Hartley


Edward Hopper paintings struggled for recognition in the 1910s. They were exhibited in a variety of New York group shows, primarily the painting titled Sailing. Paintings done in the medium of etching brought immediate sales success.

A symbolic milestone for Edward Hopper paintings was their exhibition in the Whitney Studio Club in 1920. Although none of the 16 paintings was sold, it was the first one-man exhibition for Edward, who was at the time thirty-seven years of age. His patron done was in the person of Gertrude Vanderbilt Whitney.

Conversely, the second one-man exhibition of Edward at the Frank K.M. Rehn Gallery in New York, a few years later, was a resounding success. Each one of the Edward Hopper paintings presented was sold. As an artist, Edward suddenly found himself in a more prosperous and prominent position after this commercial triumph.

During the course of his career, Paul Klee participated in various art movements. In many of these movements, Paul was considered to be a leading force. Expressionism, cubism and surrealism find their expression in Paul Klee paintings, among other art forms. There was a period in the illustrious career of this artist that he also worked as an art instructor.

It was early on during his teen years that Paul shifted his attention from music to the visual art forms. He developed a unique art style by 1905, where he drew with a needle on a blackened pane of glass, creating magnificent depth and texture for his designed pieces. Paul Klee paintings of 1903-1905 took the form of a set of etchings, entitled Inventions, which became the source for his first exhibit.

The next five years saw Paul Klee paintings progressing to new art forms. Paul began to work on water colors and experimentation, in general. By 1914, Paul started work on abstract art, inspired by light exhibits he viewed in Tunisia.




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