Some days people just want to escape the world with songs on their playlists. Or by playing the guitar on an otherwise ordinary day with friends. Or even when you are doing the same mundane things on a Monday morning. Whatever it is, music is undeniably part of your daily life and for good reason.
Sometimes you may even wonder how a day can go by without it. Simply unimaginable if you think about it. Among its many forms and genres, steel pan music, it is safe to say, rightfully stands out. This may be because of its simplicity and Caribbean coolness. Not everyone is familiar with it though.
But the few who does, appreciates it well enough to know how versatile it can be. And the instrument is not something easy to learn. It would take an experienced musician to play it, because this kind of thing is much more complex than just listening to songs. Or playing the string instruments.
Dating back to the nineteen thirtys, the pans did not have it easy, originating in the Carribean island of Trinidad. This was when African slaves or descendants wanted so badly to express themselves and their music, by normally beating on metals. Hoping to find rhythms and the right kind of harmony, they were clamoring to find a way to match the songs at carnivals.
Its early years did not come easy. The noise it involved and the effect upon others brought forth an association with criminal prosecutions. Its popularity in the Caribbean at the time seemed to create a kind of effect on the youth that was so much different than how rock and roll was in the 60s. However the fact that it made people want to dance even if the music was over, was undeniable.
And to think those people had no training, because at the time, at those hard times, you had to learn among yourselves. The war was not helping and the government associated lit with criminal acts because of the loud noise it produces. Clashes suddenly became common among groups who played them. Violence was not avoided but not for long.
In the nineteen fiftys, it had claimed a well deserved attention, earning a decision to bring a band that produces that kind of music, to the United Kingdom as part of a very important occasion of the Commonwealth. This had defined the instrument itself as a vital part of Trinidad culture and also earned a wide respect for where it had come from.
Music, before radio was ever known, had to be produced manually by people themselves. And so they did. Everywhere during the eighteenth century, it was present in the yards of slaves and the barracks of the nineteenth. It went on, transcending into the streets in the twentieth century, playing a vital role in the freedom of countries, like how the pans served in the freedom of its island.
Being an integral part of social life, even everyday life, there seems to be no end as to how songs or rhythm in instruments like steel drums will be created. It is part of the culture and identity of almost any country. And the pan is one nice lesson to remember how it can be as revolutionary as it is artistic.
Sometimes you may even wonder how a day can go by without it. Simply unimaginable if you think about it. Among its many forms and genres, steel pan music, it is safe to say, rightfully stands out. This may be because of its simplicity and Caribbean coolness. Not everyone is familiar with it though.
But the few who does, appreciates it well enough to know how versatile it can be. And the instrument is not something easy to learn. It would take an experienced musician to play it, because this kind of thing is much more complex than just listening to songs. Or playing the string instruments.
Dating back to the nineteen thirtys, the pans did not have it easy, originating in the Carribean island of Trinidad. This was when African slaves or descendants wanted so badly to express themselves and their music, by normally beating on metals. Hoping to find rhythms and the right kind of harmony, they were clamoring to find a way to match the songs at carnivals.
Its early years did not come easy. The noise it involved and the effect upon others brought forth an association with criminal prosecutions. Its popularity in the Caribbean at the time seemed to create a kind of effect on the youth that was so much different than how rock and roll was in the 60s. However the fact that it made people want to dance even if the music was over, was undeniable.
And to think those people had no training, because at the time, at those hard times, you had to learn among yourselves. The war was not helping and the government associated lit with criminal acts because of the loud noise it produces. Clashes suddenly became common among groups who played them. Violence was not avoided but not for long.
In the nineteen fiftys, it had claimed a well deserved attention, earning a decision to bring a band that produces that kind of music, to the United Kingdom as part of a very important occasion of the Commonwealth. This had defined the instrument itself as a vital part of Trinidad culture and also earned a wide respect for where it had come from.
Music, before radio was ever known, had to be produced manually by people themselves. And so they did. Everywhere during the eighteenth century, it was present in the yards of slaves and the barracks of the nineteenth. It went on, transcending into the streets in the twentieth century, playing a vital role in the freedom of countries, like how the pans served in the freedom of its island.
Being an integral part of social life, even everyday life, there seems to be no end as to how songs or rhythm in instruments like steel drums will be created. It is part of the culture and identity of almost any country. And the pan is one nice lesson to remember how it can be as revolutionary as it is artistic.
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