The sculptures is one of fine arts. Unlike paint, which creates a plan -a fictional space of two dimensions-, sculptures does a flat or three-dimensional relief exempt, using real space. The sculptor acts on different materials transformed by carving and modeling processes, which are traditional methods (aluminum wall sculpture).
Archaic statue was primarily religious. The temples are decorated with images of gods, their exploits and battles, and the figures were unrealistic. The Korai Kouros or are portraits of real people; put a smile on the faces were fictitious, facial gesture known in art world as "archaic smile." From this period include the Chief Dipilo, fragment of a colossal marble statue of sixth century BC, and the Head of ramps (c. 560 BC) later work presents a treatment closer to naturalism.
The 'Greek sculptures reached a high degree of perfection, quality driven came looking for a better expression of beauty of human figure; even established a canon with proportions considered "perfect." Unfortunately, the Charioteer of Delphi, the pair of Riace bronzes together with the Artemision Bronze part of few Greek sculptures in bronze preserved complete. One of most significant artists of classical period was Praxiteles, author of Hermes and the Infant Dionysus. During the Hellenistic period observed in creation of sculptures there is a clear intention to intensify the movement and accentuate the emotions, as you can see the sculptures of Laocoon and His Sons.
Art historians believe that the Renaissance sculptures began with the competition to make the doors of Baptistry (1401) of Florence, which were presented Filippo Brunelleschi and Lorenzo Ghiberti. The new form Renaissance art inspired by the sculptures of classical antiquity, seeking a total exaltation of beauty.
Mathematics became his main aid, applying to all arts certain principles and laws, such as the prospect. Great patron emerged as the Medici popes of Rome and Florence, plus cardinals, princes and unions. At this time the sculptures remained virtually unconnected architecture and showed expressions full of characters drama; This is seen in sculptures of Michelangelo, for example, David. Many of them travel to other countries.
The process of making the work first in clay and then emptied the bronze was known to ancient Greek and Roman civilizations, and a system that is currently in XXI century, is still used. From century BC, in last period of iron Age Celts developed the La Tene culture, spreading it throughout Europe; represented an evolution of art of Hallstatt culture.
The council of Trent (1545-1563) marked a new direction in religious images; David -l'autor Bernini, Apollo and Daphne and Ecstasy of St. Teresa, was the sculptor that influenced the Baroque sculptures, which is seeking emotional and dramatic effects. In France highlights the work of Simon Guillain Jacques Sarrazin and making portraits of nobility, the tomb of Cardinal Richelieu made by Francois Girardon and sculptures garden of Palace of Versailles by Pierre Puget.
During this period, production religious sculptures in Spain is amazing sculptures for interiors of churches, facades, and private devotions for Easter; emerged two schools: the Spanish and Andalusian. Among the sculptors can stand Gregorio Fernandez, Juan Martinez Montanes, Francisco Salzillo, Pedro de Mena and Alonso Cano. Inmid-eighteenth century, Winckelmann guidelines of "good taste in food sources and direct the example ofworks ofGreeks" made many artists devoted to copy instead of imitating; Neoclassicism came.
Archaic statue was primarily religious. The temples are decorated with images of gods, their exploits and battles, and the figures were unrealistic. The Korai Kouros or are portraits of real people; put a smile on the faces were fictitious, facial gesture known in art world as "archaic smile." From this period include the Chief Dipilo, fragment of a colossal marble statue of sixth century BC, and the Head of ramps (c. 560 BC) later work presents a treatment closer to naturalism.
The 'Greek sculptures reached a high degree of perfection, quality driven came looking for a better expression of beauty of human figure; even established a canon with proportions considered "perfect." Unfortunately, the Charioteer of Delphi, the pair of Riace bronzes together with the Artemision Bronze part of few Greek sculptures in bronze preserved complete. One of most significant artists of classical period was Praxiteles, author of Hermes and the Infant Dionysus. During the Hellenistic period observed in creation of sculptures there is a clear intention to intensify the movement and accentuate the emotions, as you can see the sculptures of Laocoon and His Sons.
Art historians believe that the Renaissance sculptures began with the competition to make the doors of Baptistry (1401) of Florence, which were presented Filippo Brunelleschi and Lorenzo Ghiberti. The new form Renaissance art inspired by the sculptures of classical antiquity, seeking a total exaltation of beauty.
Mathematics became his main aid, applying to all arts certain principles and laws, such as the prospect. Great patron emerged as the Medici popes of Rome and Florence, plus cardinals, princes and unions. At this time the sculptures remained virtually unconnected architecture and showed expressions full of characters drama; This is seen in sculptures of Michelangelo, for example, David. Many of them travel to other countries.
The process of making the work first in clay and then emptied the bronze was known to ancient Greek and Roman civilizations, and a system that is currently in XXI century, is still used. From century BC, in last period of iron Age Celts developed the La Tene culture, spreading it throughout Europe; represented an evolution of art of Hallstatt culture.
The council of Trent (1545-1563) marked a new direction in religious images; David -l'autor Bernini, Apollo and Daphne and Ecstasy of St. Teresa, was the sculptor that influenced the Baroque sculptures, which is seeking emotional and dramatic effects. In France highlights the work of Simon Guillain Jacques Sarrazin and making portraits of nobility, the tomb of Cardinal Richelieu made by Francois Girardon and sculptures garden of Palace of Versailles by Pierre Puget.
During this period, production religious sculptures in Spain is amazing sculptures for interiors of churches, facades, and private devotions for Easter; emerged two schools: the Spanish and Andalusian. Among the sculptors can stand Gregorio Fernandez, Juan Martinez Montanes, Francisco Salzillo, Pedro de Mena and Alonso Cano. Inmid-eighteenth century, Winckelmann guidelines of "good taste in food sources and direct the example ofworks ofGreeks" made many artists devoted to copy instead of imitating; Neoclassicism came.
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