Ok...so I have an aunt who has been writing songs for a long time, to no avail. In this article we'll use her example and see what we can learn from it.
At the beginning of my production career, my aunt would bring song lyrics to me and request that I record songs with them. The lyrics were not formatted in any particular way, and they really seemed more like poems.
At that time I really only was producing hip hop and trying to learn how to do R&B. I was actually willing to make her songs, so I would ask her, "ok, how does it go?" Initially, she would say "I don't know...I didn't have a melody in mind yet" since I didn't know how to sing and she couldn't sing, those songs had to basically sit, until me or her found a singer to come up with some good melodies.
As a side note: When you are trying to sell your songs, remember that most potential buyers want to buy actual songs, not just the lyrics...so you need to make complete songs as present those.
Eventually, my aunt realized that when she came to me her songs needed to be formatted a little better, and that she at least needed to have some sort of melody to give me with her lyrics.
Speaking of formats, there are many to choose from (google "song formats"), or you could not abide by any format...as long as it sounds good to you.
So, my aunt has melodies now to her lyrics. The problem was that, as I mentioned before, she couldn't sing, so all her melodies sounded the same, and they sounded like country western, and eventually, as she got older, her songs began to sound dated lyrically.
What happened from there is that we could not make a song that sounded like she envisioned. So, she began to recruit people who said they could sing, but most of them had never even recorded before, and even if they could sing, just because a person can sing does not mean that they can write melodies. These experiences made my aunt irritated at me and they made her have a bad taste in her mouth regarding music as a whole....so what can you do to avoid this feeling?
First, let me say that you do not have to be a singer in order to be a writer, you just need to have a relatively clear idea about what you want your song to sound like, then you can find all the right people or pieces to make it sound that way.
Some people write their lyrics without music, or they hear the music in their head while they are writing. In those cases, these writers need to find producers who can do custom tracks (you hum what you want and they play it). For the people who write without music, they just have to listen to a variety of instrumentals afterwards and pick the one that matches the feel of their lyrics the best.
Other writers find an instrumental before they start to write. There are many places to find instrumentals (www.freshoffabreakup.com). Once these type of writers have their music, then they need to write. I, personally don't write lyrics down. I record them onto a personal recorder to make sure that I remember the timing of my words.
Next in order, is finding someone to record your song. You need a good or professional singer that is familiar with the genre of music you are seeking to make. What I like to do is ask potential demo singers to sing my song over the instrumental that I have chosen. That way I can determine how well they are at writing melodies. This is important to me because without a good, fast melody writer, the session will be long and there will be a good possibility that it won't turn out the way I want.
After the song is recorded and it sounds like you want it to, you have to have it mixed. Sometimes, the engineer that recorded it can mix it, and sometimes you may have to go to another studio for mixing. An important thing know is that need to know what you want mixing wise. If you do not know the correct terminology to describe to a producer or engineer what you want, then you can just bring different songs that have aspects of what you want your song to sound like, so that whoever is mixing your song can hear what you want. If you don't do this, most mixing engineers will just do a bland generic mix of your song (they don't care, they're getting paid either way, and I'm an engineer telling you this).
The last step is mastering. There are mastering houses that you can go to, but they may be expensive. At the beginning of your career, a less expensive route should suffice. That route would be asking the mixing engineer to master the song.
Once that is done then your song is ready to be presented to anyone or any song contest or any opportunity. Keep in mind that often, people want the lyric sheet, the full song, and the instrumental when you submit, so keep those in handy. But before you submit, you're going to want to copyright it, and register it with you writing society (ascap, bmi, sesac, etc...)
That's it for now, stay tuned for more helpful advice!
At the beginning of my production career, my aunt would bring song lyrics to me and request that I record songs with them. The lyrics were not formatted in any particular way, and they really seemed more like poems.
At that time I really only was producing hip hop and trying to learn how to do R&B. I was actually willing to make her songs, so I would ask her, "ok, how does it go?" Initially, she would say "I don't know...I didn't have a melody in mind yet" since I didn't know how to sing and she couldn't sing, those songs had to basically sit, until me or her found a singer to come up with some good melodies.
As a side note: When you are trying to sell your songs, remember that most potential buyers want to buy actual songs, not just the lyrics...so you need to make complete songs as present those.
Eventually, my aunt realized that when she came to me her songs needed to be formatted a little better, and that she at least needed to have some sort of melody to give me with her lyrics.
Speaking of formats, there are many to choose from (google "song formats"), or you could not abide by any format...as long as it sounds good to you.
So, my aunt has melodies now to her lyrics. The problem was that, as I mentioned before, she couldn't sing, so all her melodies sounded the same, and they sounded like country western, and eventually, as she got older, her songs began to sound dated lyrically.
What happened from there is that we could not make a song that sounded like she envisioned. So, she began to recruit people who said they could sing, but most of them had never even recorded before, and even if they could sing, just because a person can sing does not mean that they can write melodies. These experiences made my aunt irritated at me and they made her have a bad taste in her mouth regarding music as a whole....so what can you do to avoid this feeling?
First, let me say that you do not have to be a singer in order to be a writer, you just need to have a relatively clear idea about what you want your song to sound like, then you can find all the right people or pieces to make it sound that way.
Some people write their lyrics without music, or they hear the music in their head while they are writing. In those cases, these writers need to find producers who can do custom tracks (you hum what you want and they play it). For the people who write without music, they just have to listen to a variety of instrumentals afterwards and pick the one that matches the feel of their lyrics the best.
Other writers find an instrumental before they start to write. There are many places to find instrumentals (www.freshoffabreakup.com). Once these type of writers have their music, then they need to write. I, personally don't write lyrics down. I record them onto a personal recorder to make sure that I remember the timing of my words.
Next in order, is finding someone to record your song. You need a good or professional singer that is familiar with the genre of music you are seeking to make. What I like to do is ask potential demo singers to sing my song over the instrumental that I have chosen. That way I can determine how well they are at writing melodies. This is important to me because without a good, fast melody writer, the session will be long and there will be a good possibility that it won't turn out the way I want.
After the song is recorded and it sounds like you want it to, you have to have it mixed. Sometimes, the engineer that recorded it can mix it, and sometimes you may have to go to another studio for mixing. An important thing know is that need to know what you want mixing wise. If you do not know the correct terminology to describe to a producer or engineer what you want, then you can just bring different songs that have aspects of what you want your song to sound like, so that whoever is mixing your song can hear what you want. If you don't do this, most mixing engineers will just do a bland generic mix of your song (they don't care, they're getting paid either way, and I'm an engineer telling you this).
The last step is mastering. There are mastering houses that you can go to, but they may be expensive. At the beginning of your career, a less expensive route should suffice. That route would be asking the mixing engineer to master the song.
Once that is done then your song is ready to be presented to anyone or any song contest or any opportunity. Keep in mind that often, people want the lyric sheet, the full song, and the instrumental when you submit, so keep those in handy. But before you submit, you're going to want to copyright it, and register it with you writing society (ascap, bmi, sesac, etc...)
That's it for now, stay tuned for more helpful advice!
About the Author:
Want to find out more about keyword #1, then visit Eric L. Mims J.d.'s site on how to choose the best instrumentals keyword #2 for your needs.
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